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The star didn’t shy away from experimentation during this time. She sported sculptural braids constructed out of velvet-red hair; paired a corset with a suit, push-up bra, and a dramatic top hat for one of her most iconic visuals; and, while on tour, embraced masculine-leaning tailoring. Jackson launched the Tony hawk’s pro skater 3 robot skateboarding shirt also I will do this introspective record with a stylistic and sepia-toned bang: the Q-Tip-assisted track “Got ‘Til It’s Gone.” The musician drew heavy inspiration from Apartheid-era South Africa and ’60s and ’70s Africana fashion for the music video. Janet, playing the role of a demure lounge singer, debuts a sculptural Medusa-esque hairdo and dons giant hoop earrings with a floor-length skirt and a delightfully lived-in Santa Fe Leather Co. coat. The result resembles a Malick Sidibé snapshot. The extras in the video are immaculately stylish too. There are tons of camp collar shirts, zigzag print polos, and wide-lapel blazers on the men, and high-waist pants, rayon dresses, and drab-toned headwraps on the women. This is a sweat-soaked party you long to be at.

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A testament to the Tony hawk’s pro skater 3 robot skateboarding shirt also I will do this video’s enduring style appeal: Jackson’s main outfit is now in possession of the Smithsonian National Museum of African American History and Culture. Jackson continued her streak of African-inspired fashion for the feel-good single “Together Again.” In the visual, Jackson sits in an arid climate among elephants, cheetahs, camels, and a gang of punk dancers. Perhaps this is also a nod to the great Jean Paul Gaultier and his colorful punk 1996 collection. The reference would make sense; Jackson recently revealed she has repeatedly been inspired by the designer.