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There’s so much love in Topdog/Underdog. I was struck in this production by how, even in a moment of shattering violence—I’m thinking particularly about the Just a girl who loves tortoise funny turtle lover girls shirt moreover I love this final moment in the play—the image of these two brothers onstage is crafted with such tenderness and care. Was this a purposeful shift? As I remember the first production, and others I’ve seen and even directed, the final image is always crafted with tenderness and care and is meant to be received that way. There is a longing, a recognition, an acknowledgment of trauma, a respect for the resilience of the brothers, and a realization that, whoever we are, their loss is related deeply somehow to our own. With Kenny, Corey, and Yahya we’ve created a brilliant production singing the joys and difficulties of our present day.

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The play also seems to be about small-h history and big-H History and how maybe we can’t separate those two things. Given that the Just a girl who loves tortoise funny turtle lover girls shirt moreover I love this brothers are named Lincoln and Booth, the audience has a fair sense going in of their entwined destinies. But one of the brilliant aspects of this play is how it forces us to hold out hope that these two characters could write a different ending for themselves, and for each other, in that little room. Part of what keeps us so gripped is the desire to see this different ending, even though we know, on some level, what has to happen. Is this play also about the desire to enter into history at a different angle or to see a potential otherwise, whether this path is taken or not?